Venice 2017 (The article continues below - Commercial information) 76 articles available in total starting from 22/03/2017. Last article published on 12/09/2017. previous page: 1 2 [3] 4 5 6 7 8 next Loving Pablo: Or are we?VENICE 2017: Fernando León de Aranoa gives us a questionable cinematic take on the life of Pablo Escobar, screening out of competition on the Lido, and starring Penélope Cruz and Javier Bardem 07/09/2017 | Venice 2017 | Out of competitionThree Billboards Outside Ebbing, Missouri: Advertising murder and mayhemVENICE 2017: Martin McDonagh brings his acerbic wit to a competition berth at Venice, with a film that could easily be a cousin of the Coen brothers’ Fargo 06/09/2017 | Venice 2017 | CompetitionM: An ode to imperfectionVENICE 2017: Actress Sara Forestier presents her directorial debut, competing in the Giornate degli Autori section. A tale of visceral love that must overcome some communicative challenges 06/09/2017 | Venice 2017 | Giornate degli AutoriCinderella the Cat: A noir fairy tale set in the port of NaplesVENICE 2017: Alessandro Rak returns after the success of The Art of Happiness with a retro sci-fi animated film inspired by Giambattista Basile's 1636 story 06/09/2017 | Venice 2017 | Orizzonti Interview: Samuel Maoz • Director“The foxtrot is the dance of a man with his fate”VENICE 2017: Cineuropa spoke to Israeli director Samuel Maoz about the origins and themes of his new effort, Foxtrot 06/09/2017 | Venice 2017 | Competition The Night I Swam: A little boy and a great journeyVENICE 2017: A daring work, both simple and fascinating, emanating a heady charm, bearing the hallmark of France’s Damien Manivel and Japan’s Kohei Igarashi 05/09/2017 | Venice 2017 | OrizzontiThe Wild Boys: Gender-bending surrealismVENICE 2017: French director Bertrand Mandico delivers his debut feature, an experimental journey to the limits of imposed gender roles, set in an undisclosed realm of wonders 05/09/2017 | Venice 2017 | International Critics’ WeekWhere Shadows Fall: A Swiss genocideVENICE 2017: Valentina Pedicini's debut fiction feature, shocking but well grounded, is based on the true story of a eugenics programme conducted on nomadic children in Switzerland 05/09/2017 | Venice 2017 | Giornate degli AutoriUna famiglia: A family always has secretsVENICE 2017: Sebastiano Riso's second film, in competition for the Golden Lion, tackles the dramatic theme of the black market for newborn babies 05/09/2017 | Venice 2017 | CompetitionMy Generation: The good ol’ daysVENICE 2017: David Batty enlists the help of Sir Michael Caine (and some other extremely chatty living legends) and tries to capture the everlasting appeal of the swinging sixties 05/09/2017 | Venice 2017 | Out of competition previous page: 1 2 [3] 4 5 6 7 8 next (The article continues below - Commercial information)